U404 Foot Valve
Materials:
Body: Brass
Valve: Brass
Seal : Buna-N / Viton
Features :
Valve closing speed:0.5S
Medium: Gasoline, diesel , and kerosene
Operating Temperature: -30~~+55degree
U404 Series Foot Valves are installed on the bottom of suction tubes in the fuel storage tank to maintain prime in suction system fuel lines.
Double-poppet models provide redundant protection for holding the prime, and are ideal for installations where the valve is not easily accessible.
U404 Series Foot Valves feature precision metal-to-metal sealing arrangements.U404 Series Foot Valves are recommended for use on suction lines where the pressure does not exceed 34 ft of head (approximately 15 psi).
U404 Series Foot Valves are pressured tested to ensure accuracy
Screen protects the valve from debris
100% Factory Tested.
Package:
Net Weight Cross Weight Dimension
32kg/case of 20 35kg/case of 20 30x31.2x18.5cm/case of 20
Important:
The products should be used in compliance with applicable country, province and local Laws and regulations. Products selection should be based on physical Specifications and limitations and compatibility with the environmentand materials to be handled. HONGYANG makes no warranty of fitness for a particular use. All illustrations and Specifications in this literature are based on the latest products information available at the time of publication,HONGYANG reserves the right to make changes at any time in price, materials. Specifications and models and to discontinue models without notice or obligation.
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ntry whose elite has tended to find its aesthetic in the walnut panelling fuel dispenser of its Mercedes-Benz saloons.
The cultural bedrock of Kenya is its national museum system, a series of decrepit though well-visited museums (at
least by schoolchildren), with one of the better collections in Africa. With fuel dispenser the main Nairobi museum closed for
renovation until 2008, the Hazina (which means “treasure�in Kiswahili) exhibition has been shoe-horned into a
colonial bungalow in the city s polluted and crime-ridden downtown. But it is still worth the visit. The show is a
collabora fuel dispenser tion with the British Museum, which has lent 140 of the 160 exhibits, as well as experts to help set it up.
Several pieces stand out. One, at the entrance, is a two-metre-long siwa, a ceremonial horn dating from 1688, and
belonging to Kenya s own collection. Carved from a single elephant tusk and inlaid with inscriptions in a corrupted
Mameluke dialect, the siwa underlines the one-time swagger of the Swahili trading culture and Egypt s influence on
it. Another highlight is a late 19th-century rainmaker s skirt from Uganda, acquired by the British Museum in 1902.
A prolonged drought in the region gives the charms, chains and small knives hung from the belt a poignant feel.
Inevitably, the presence of so many objects from London has led some Kenyans to call for the repatriation of other
treasures in the British Museum. Kiprop Lagat, one of the curators of Hazina, dismisses such talk. “As long as these
pieces are in circulation between museums,�he says, “they are universal cultural property.�
Of more lasting influence is a new art installation in the Ngong Forest Sanctuary, a wildlife reserve south of the
city. Works by Kenyan and international artists, brought together by the local Kuona Trust and underwritten by the
Ford Foundation, explore the potential of the wild forest. Artists have restricted themselves to wood, twine and
rock, so that slowly their works will rot back into the forest—or surprise future hikers, as we
